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Modern Furniture by International DesignersModern furniture collected by museums. In search of luxury modern furniture: the luxury of having style that holds its own in any setting combined with lavish comfort. Midcentury modern furniture has unmistakable style, but it is important to differentiate between authentic reproductions and the many imitations that are now available. Knoll manufactures each piece according to the original and exacting specifications of the designer. Available are the iconic pieces which brought Scandinavian modernism to the United States: Risom Lounge Chair by Danish-born Jens Risom (1916-), the first chair ever produced by Knoll (1941); and Womb Chair and Ottoman, and Tulip Chairs and Table by Finnish-born Eero Saarinen (1910 - 1961). These pieces not only have a sculptural beauty that enhances homes and business spaces alike, but also the comfort level that you associate with American "lounge." See also Modern Lighting Arne Jacobsen Modern FurnitureArne Jacobsen designed the SAS Royal Hotel in Copenhagen, as well as many of the furnishings. For its busy lobby, he created the biomorphic Egg (1958) and Swan, which are believed to be the first swiveling upholstered chairs. A tilt mechanism allows for relaxed lounging and the high back and curving elements are reminiscent of a traditional wing chair. Together they cocoon the sitter in a single-piece molded shell that appears to hover over the floor. Denmark. The Series 7 Chair debuted in 1955 at the H55 exhibition in Sweden, and the appeal of what remains one of the most copied chairs of the modern era is its shape. The chair is ideally suited to the human body, its seatback has a comfortable "give" and its waterfall seat edge doesn't press into legs. Once made by hand, production is now automated and led by a team who ensure the authentic Series 7 is perfect every time. Suitable for contract use. Stacks 6 high. Made in Denmark. Original design and licensed manufacture by Republic of Fritz Hansen
Eero SaarinenAlthough Saarinen made his reputation in the United States following World War II, he had his roots in Europe. Until 1923, he lived in Finland with his father Eliel Saarinen an architect of the National Romantic movement. He called himself a "form giver" and everything he designed had a strong sculptural quality. Saarinen and Eames collaborated on various projects, culminating in a range of furniture that won first prize at an exhibition held at the Museum of Modern Art in New York in 1940 entitled, "Organic Design in Home Furnishings." After 1946, however Eames went to work for Herman Miller; Saarinen became associated with Knoll Associates. A number of Saarinen’s chairs for Knoll were to become landmarks in the history of 20th century design.
Eero Saarinen Dining FurnitureEero Saarinen regarded the underside of furniture as "a confusing, unrestful world." With that in mind, the designer set out to craft chairs and tables that would resolve even their hidden elements. The result was his award-winning Pedestal Tables (1956) and Tulip Chairs, made with exquisite cast aluminum bases that were inspired by a drop of high-viscosity liquid.
Mies van der Rohe Germany 1886-1969Mies' daring design of furniture, pieces that exhibit an unerring sense of proportion, as well as minimalist forms and exquisitely refined details. In fact, his chairs have been called architecture in miniature exercises in structure and materials that achieve an extraordinary visual harmony as autonomous pieces or in relation to the interiors for which they were originally designed.
Marcel BreuerIn the 1920s, Marcel Breuer began to experiment with tubular steel, creating some of the most influential furniture to come out of the Bauhaus. Breuer considered his designs essential for modern living.
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